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Git Up, Git Out (1994)Ī seven-and-a-half-minute-long, supremely funky and conscious-rhyme-laden introduction to the Dungeon Family, or at least part of said sprawling crew. The ferocious, distorted synths, frantic beats and soul interludes of GhettoMusick proved his partner didn’t have the monopoly on thrilling experimentation. GhettoMusick (2003)īig Boi’s album in the split Speakerboxx/Love Below double set was overshadowed by André’s – home to Hey Ya! and Roses – but its highlights were vertiginous. A definitive moment in the history of southern hip-hop, their debut album’s title track twisted Dr Dre’s soulful west coast G-funk blueprint into something stunning and geographically distinct. In truth, they had already proved his point. “The south got something to say,” snapped André 3000 when Outkast were booed at the 1995 Source awards. Musically straightforward compared with what was to come, their debut single – detailing how drug dealers and pimps spend Christmas Day – was a fiery demonstration of their lyrical skills. Certainly, their rapping sounded incredible on arrival. In their early days, Outkast apparently used to rap while running to better refine their breath control.
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Instead, there are vocals – from Erykah Badu and Cee-Lo Green, among others – and a defiant message: “You have a choice to be who you wants to be.” The title seems to refer to Outkast’s refusal to be constrained by musical boundaries and expectations as much as to the social struggles detailed in its lyrics: Liberation more or less abandons rapping entirely.